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Madame?when Talleyrand heard and interposed.

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ONE:Since your Majesty saw me, I must inform the Queen that I removed that rouleau of gold because it is false.You know me, then?

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TWO:The Marchale dEtre, daughter of M. de Puisieux, died, and left all her large fortune, not to the spendthrift Marquis de Genlis, but to the Count, who, finding himself now very rich, wished to retire from the Palais Royal and live on his estates, and tried to induce his wife to accompany him. He said with truth that her proper and natural place [412] was with him, and he tried by all means in his power to persuade her to do what one would suppose a person constantly talking of duty, virtue, self-sacrifice, and the happiness of retirement, would not have hesitated about.

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TWO:The tone of society was entirely different during the Restoration from that of the Empire. The lavish expenditure in entertainments, dress, and daily life was no longer the fashion. An expensive toilette at any but a very great festivity was no longer correct, and even at court the extravagant splendour of the costumes of the Imperial court was not encouraged. The principal people were no longer those who possessed enormous fortunes which they were eager to spend; the [477] nobles and gentlemen whose names were the most distinguished at the court of Louis XVIII. being most of them nearly if not quite ruined.
THREE:Mme. de Boisgeloup, however, received the children with the greatest kindness, her two boys were companions for the young Cabarrus, and as for Trzia, she loved and treated her like a daughter. They lived in the rue dAnjou, and when the following year her father arrived at Paris and bought a h?tel in the place des Victoires she still spent less of her time with him than with her.

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THREE:They stood in astonishment looking after the soldiers, and then turning, walked sorrowfully back to the ruins, where a decently dressed working man who had been observing them, came up and again asked them the same question.

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THREE:Because every one is in prison at Paris; even the revolutionists. And I am a revolutionist.Old Isabey had a passion for art, and having two boys resolved to make one a painter, the other a musician; and as Louis, the elder one, was always scribbling upon walls and everywhere figures of all sorts, his father, regardless of the fact that the drawings were not at all good, assured his son that he would be a great artist, perhaps painter to the King; and as the younger boy, Jean-Baptiste, [34] was [71] constantly making a deafening noise with trumpets, drums, castagnettes, &c., he decided that he should be a musician.

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THREE:His plan succeeded perfectly. He was soon well known to the police as an ex-noble driven mad by the death of his wife, and being considered harmless, was allowed to go where he pleased unmolested.

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TWO:It is satisfactory to know that the brutal, dastardly conduct of the Versailles populace was at any rate punished, in a way they probably had not thought of. The departure of the King and court ruined the place, before so prosperous. The population shrunk to a third of its former numbers.For La Fayette was neither a genius, nor a great man, nor a born leader; the gift of influencing other people was not his; he had no lasting power over the minds of others, and as to the mob, he led them as long as he went where they wanted to go. When he did not agree with all their excesses they followed him no longer.

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As the lads grew older, however, their talents developed in exactly opposite directions, so that their father found himself obliged to consent to a change of plans with regard to their education. Louis, in fact, became ultimately first violinist to the Emperor Alexander of Russia, while Jean-Baptiste, casting aside his noisy musical instruments, studied painting with enthusiasm, went to Paris in 1786, and with much difficulty succeeded in getting into the studio of David, from which he was shortly afterwards on the point of being expelled, because he made a picture of David as a wild boar, surrounded by his pupils in the form of little pigs; all excellent likenesses.
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